{"id":25260,"date":"2018-07-17T09:49:51","date_gmt":"2018-07-17T08:49:51","guid":{"rendered":"https:\/\/eqmusicblog.com\/?p=25260"},"modified":"2018-07-17T09:49:51","modified_gmt":"2018-07-17T08:49:51","slug":"listen-not-bad-la-allie-x","status":"publish","type":"post","link":"https:\/\/eqmusicblog.com\/listen-not-bad-la-allie-x\/","title":{"rendered":"Listen to “Not So Bad in LA” by Allie X"},"content":{"rendered":"

There are a little and few between female artists who we cannot accuse of being predictable. In a Gaga<\/strong> and Madonna<\/strong> shaped pop world, Allie X<\/strong> fits the bill as being a little off-centre but oozing a natural quirkiness. I fell hook, line and sinker for the singer’s left field synth-pop stylings at day one. And I can’t begin to imagine how stale new pop may have become if it wasn’t for the all, ways intriguing Canadian singer\/songwriter’s arrival on the music scene. <\/p>\n

Really, there hasn’t been a solitary Allie X track which I haven’t connected with, each and every one has it’s own individualist, beguiling charm. I don’t really need to put these words out there, but for documentation’s sake, I stan hard. The singer neatly packaged up her latest track collection “CollXtion II<\/a><\/strong>” last summer but if we thought we might be in for a long-haul kind of wait for a new track or two to surface afterwards, we have been proved wrong. The song “Focus<\/a><\/strong>” dropped in June, introducing a poppier groove, the likes of which we had not yet heard from the hitmaker before. Hot on its heels is “Not So Bad In LA<\/strong>” where the electronic-pop mastermind appears to have stepped into the voice box of one Lana Del Rey<\/strong>. Only in my personal opinion Allie X out styles Lana in every context, owing to dry humour so clearly evident in the delivery of the song. <\/p>\n

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