{"id":27917,"date":"2020-02-25T10:41:55","date_gmt":"2020-02-25T09:41:55","guid":{"rendered":"https:\/\/eqmusicblog.com\/?p=27917"},"modified":"2020-02-27T09:34:25","modified_gmt":"2020-02-27T08:34:25","slug":"watch-boys-with-emotions-by-felix-sandman","status":"publish","type":"post","link":"https:\/\/eqmusicblog.com\/watch-boys-with-emotions-by-felix-sandman\/","title":{"rendered":"Watch “Boys With Emotions” by Felix Sandman"},"content":{"rendered":"\n

So, obviously, I think it is a little too early to bring up the topic of Eurovision<\/strong> as yet. That being said, I have been casting my eyes and ears over most of the song selection processes thus far. Although, Felix Sandman’s<\/strong> entry into the Sweden Melodifestivalen has gotten me into somewhat of a dilemma of whether to hold off from writing about it or lose out on it entirely. You know what, I love this track. Felix had plenty of heat on him even before Sweden’s annual song contest began. I am not entirely sure why favour has since plummeted on the song or what it is that has everyone switching over to “Bulletproof<\/strong>” from Dotter<\/strong>, but I remain convinced “Boys With Emotions<\/strong>” from Felix would be far a better choice.<\/p>\n\n\n\n

Inside I am screaming because the gaze of Eurovision would do wonders for this track. The message it brings about, urging boys not to be scared to speak out and embrace their feelings is more of a widespread necessity than an issue being raised to just be kept close to home. I’ll be so mad if this year’s eventual winning song of the whole Eurovision competition turns out to be one with a less valid theme and importance than this song. There I said it!. <\/p>\n\n\n\n<\/a>\n\n\n\n